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		<title>What Happened to Boyz II Men &#8211; Where Are They Now</title>
		<link>https://gazettereview.com/2016/04/what-happened-to-boyz-ii-men-update/</link>
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		<dc:creator><![CDATA[Morgan Sennhauser]]></dc:creator>
		<pubDate>Tue, 19 Apr 2016 20:02:06 +0000</pubDate>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[BoyzIIMen]]></category>
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					<description><![CDATA[<p>When I think of vocal harmonies, I think of two things. College a cappella groups, and Boyz II Men. Through the 90s, Boyz II Men helped inject a vintage vocal styling into the emerging genre of new jack swing, creating what early critics called &#8220;hip-hop doo-wop&#8221; Eventually, their influence would end up pushing the neo-soul [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://gazettereview.com/2016/04/what-happened-to-boyz-ii-men-update/">What Happened to Boyz II Men &#8211; Where Are They Now</a> appeared first on <a rel="nofollow" href="https://gazettereview.com">Gazette Review</a>.</p>
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										<content:encoded><![CDATA[<p><span style="font-weight: 400;">When I think of vocal harmonies, I think of two things. College a cappella groups, and Boyz II Men. Through the 90s, Boyz II Men helped inject a vintage vocal styling into the emerging genre of new jack swing, creating what early critics called &#8220;hip-hop doo-wop&#8221; Eventually, their influence would end up pushing the neo-soul genre into existence, and help redefine R&amp;B. Recently, Boyz II Men introduced themselves to a younger audience, appearing in Fox&#8217;s </span><i><span style="font-weight: 400;">Grease: Live!</span></i></p>
<p><span style="font-weight: 400;">The groundbreaking part of the group&#8217;s career may be over, but that doesn&#8217;t mean they won&#8217;t continue to perform. What&#8217;s next for the men?</span></p>
<h3><span style="font-weight: 400;">Boyz II Men: </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i></h3>
<p><span style="font-weight: 400;">Boyz II Men was started in 1985, but was originally known as Unique Attraction. Nathan Morris, Marc Nelson, George Baldi, Jon Shoats, and Marguerite Walker were all students at the Philadelphia High School for the Creative and Performing Arts (CAPA). At the time, Morris and Nelson were freshmen, and the others were sophomores. In 1987, Wanya Morris, a freshmen, and already friends with many members of the group from the school&#8217;s choir, joined Unique Attraction.</span></p>
<p><span style="font-weight: 400;">When Shoats, Walker, and Baldi graduated in 1988, they left the group, being replaced by Shawn Stockman. While the re-organized Unique Attraction were practicing in the school&#8217;s bathrooms, they were joined by Michael McCary, another student who would become the group&#8217;s new bass singer.</span></p>
<p><span style="font-weight: 400;">With this lineup, the group found their sound had changed. Taking inspiration from New Edition, the band which sparked <a href="https://gazettereview.com/2016/04/what-happened-to-bobby-brown-memoir-update/" target="_blank" rel="noopener" data-lasso-id="1133">Bobby Brown&#8217;s career</a>, the group changed their name to Boyz II Men, after the song &#8220;Boys to Men,&#8221; from New Edition&#8217;s 1988 album <em>Heart Break</em>. The restructured group performed at CAPA&#8217;s Valentine&#8217;s Day party in 1989, and shortly after, sneaked backstage at a New Edition concert with the purpose of impressing them.</span></p>
<p><span style="font-weight: 400;">The show they went to happened to be the same one where New Edition&#8217;s Michael Bivins annonuced he, Ricky Bell, and Ronnie DeVoe, would be creating a spin-off group from New Edition, called Bell Biv DeVoe. Fresh after this announcement, Boyz II Men sang New Edition&#8217;s &#8220;Can You Stand the Rain&#8221; to Bivins, who gave Nathan Morris the group&#8217;s card. A couple weeks later, Morris called Bivins, who agreed to manage and produce the group. Marc Nelson would end up leaving the group before they made it into the studio, resulting in the quartet that would become international icons of R&amp;B: Nathan Morris, Shawn Stockman, Michael McCary, and Wanya Morris.</span></p>
<figure id="attachment_28545" aria-describedby="caption-attachment-28545" style="width: 300px" class="wp-caption alignleft"><img fetchpriority="high" decoding="async" class="size-medium wp-image-28545" src="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-cooleyhighharmony-300x287.jpg" alt="Cooleyhighharmony is still a critical favorite in the R&amp;B genre, though most fans prefer II" width="300" height="287" srcset="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-cooleyhighharmony-300x287.jpg 300w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-cooleyhighharmony-373x357.jpg 373w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-cooleyhighharmony.jpg 425w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-28545" class="wp-caption-text"><em>Cooleyhighharmony</em> is still a critical favorite in the R&amp;B genre, though most fans prefer <em>II</em></figcaption></figure>
<p><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> was released in 1991. The album&#8217;s sound was highly reliant on producer Michael Bivins&#8217; influences, a culmination of what he&#8217;d learned working with New Edition and Bell Biv DeVoe. The thing that helped Boyz II Men stand out from similar offerings was their collective voice.</span></p>
<p><span style="font-weight: 400;">Breaking from New Edition&#8217;s rappier vocals, they also didn&#8217;t follow in the style of traditional soul vocals. Instead of offering one lead singer with backups, the group utilized everyone&#8217;s voice in near-equal parts: tenors provided by Wanya and Shawn, Nathan&#8217;s baritone, and Michael McCary&#8217;s bass (which also provided a speaking voice on several tracks. As part of promoting the album, each member had a unique nickname: Nathan was Alex Vanderpool, Shawn was Slim, Wanya was Squirt, and Michael&#8217;s nickname was Bass, simply describing his role in the group&#8217;s singing.</span></p>
<p><span style="font-weight: 400;">The first single from </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> was &#8220;Motownphilly,&#8221; and featured a rap verse from Bivins that relayed his introduction and working with the young group. The music video presented Boyz II Men as a hip-hop group, or at least, made use of that aesthetic. The album&#8217;s second single was an a cappella cover of the Motown standard &#8220;It&#8217;s So Hard to Say Goodbye to Yesterday&#8221; (most known from G.C. Cameron&#8217;s cover for the 1975 film </span><i><span style="font-weight: 400;">Cooley High</span></i><span style="font-weight: 400;">.) A third single came out, &#8220;Uhh Ahh,&#8221; a few months later.</span></p>
<p><span style="font-weight: 400;">Michael Bivins wasn&#8217;t new to promoting R&amp;B acts, having cut his teeth with New Edition, and so as Boyz II Men&#8217;s manager, he was able to make the album a success. </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> has sold over nine million copies in its lifetime, and won Best R&amp;B Performance by a Duo or Group with Vocals at the 1992 Grammys. &#8220;Motownphilly&#8221; and &#8220;It&#8217;s So Hard to Say Goodbye to Yesterday&#8221; were both #1 on the R&amp;B charts, and broke the Top 5 Pop charts.</span></p>
<p><span style="font-weight: 400;">Their success earned them a spot as an opener for MC Hammer&#8217;s 2 Legit 2 Quit tour. While in Chicago, their tour manager was murdered, and they began dedicating &#8220;It&#8217;s So Hard to Say Goodbye to Yesterday&#8221; to him, helping keep the song at the top of the charts. Near the end of the 2 Legit 2 Quit tour, the quartet went back in the studio to work on Babyface&#8217;s song &#8220;End of the Road,&#8221; which was used for </span><i><span style="font-weight: 400;">Boomerang</span></i><span style="font-weight: 400;">, the Eddie Murphy romcom.</span></p>
<p><span style="font-weight: 400;">&#8220;End of the Road,&#8221; released on June 30 1992, was an instant hit. It reached #1 on the </span><i><span style="font-weight: 400;">Billboard</span></i><span style="font-weight: 400;"> Hot 100 in August, and stayed there until November. Its thirteen weeks at the top set a new record for longest contiguous stretch at #1. The song&#8217;s popularity help propel Boyz II Men from rising R&amp;B musicians to mainstream celebrities. Bivins persuaded them to re-release </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> including &#8220;End of the Road,&#8221; but shortly after the reprint came out in 1993, Bivins quit as their manager and producer.</span></p>
<p><span style="font-weight: 400;">Boyz II Men worked with Babyface and other big names for </span><i><span style="font-weight: 400;">Christmas Interpretations</span></i><span style="font-weight: 400;">, their album of Christmas music, and then went back into the studio for their second album, </span><i><span style="font-weight: 400;">II</span></i><span style="font-weight: 400;">. The album was a collaborative effort between some of the most respected R&amp;B producers at that time. In addition to Babyface, Tim Kelley and Bob Robinson produced five tracks, and Jimmy Jam &amp; Terry Lewis produced another two.</span></p>
<p><span style="font-weight: 400;">There were several successful singles released from </span><i><span style="font-weight: 400;">II</span></i><span style="font-weight: 400;">, including &#8220;I&#8217;ll Make Love to You&#8221;, &#8220;On Bended Knee&#8221;, and &#8220;Water Runs Dry.&#8221; When &#8220;I&#8217;ll Make Love to You&#8221; hit #1, it stayed there for fourteen weeks, making Boyz II Men the first group to have consecutive songs at the #1 for more than ten weeks each. &#8220;On Bended Knee&#8221; replaced &#8220;I&#8217;ll Make Love to You&#8221; at the top of the charts, making Boyz II Men one of only a couple acts who have replaced themselves at #1 on the Hot 100. (The others were The Beatles and Elvis Presley.)</span></p>
<p>&nbsp;</p>
<h3><span style="font-weight: 400;">Boyz II Men: </span><i><span style="font-weight: 400;">Evolution</span></i></h3>
<p><span style="font-weight: 400;">In 1995, Motown Records printed </span><i><span style="font-weight: 400;">The Remix Collection</span></i><span style="font-weight: 400;">, a compilation of remixes of songs from </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> and </span><i><span style="font-weight: 400;">II</span></i><span style="font-weight: 400;">. Boyz II Men objected to the collection, feeling as though Motown didn&#8217;t try to represent the group&#8217;s best tracks with the album. Motown went ahead with the release anyway, which understandably upset Boyz II Men.</span></p>
<figure id="attachment_28546" aria-describedby="caption-attachment-28546" style="width: 300px" class="wp-caption alignright"><img decoding="async" class="size-medium wp-image-28546" src="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-evolution-300x225.jpg" alt="No matter which label they worked under, Boyz II Men maintained creative control" width="300" height="225" srcset="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-evolution-300x225.jpg 300w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-evolution.jpg 400w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-28546" class="wp-caption-text">No matter which label they worked under, Boyz II Men maintained creative control</figcaption></figure>
<p><span style="font-weight: 400;">They decided to leave Motown and founded their own label, though they were still under contract with Motown for their earlier work. </span><i><span style="font-weight: 400;">Evolution</span></i><span style="font-weight: 400;">, Boyz II Men&#8217;s third album, came out under the Stonecreek label in 1997, and was distributed by Epic Records, instead of Motown. Reviews were mixed, and sales were far lower than </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;"> or </span><i><span style="font-weight: 400;">II</span></i><span style="font-weight: 400;">. The first single, produced by Jam &amp; Lewis, barely hit #1 on the Hot 100, but Babyface&#8217;s &#8220;A Song for Mama&#8221; and &#8220;Can&#8217;t Let Her Go&#8221; both failed to reach the top.</span></p>
<p><span style="font-weight: 400;">The global tour to support </span><i><span style="font-weight: 400;">Evolution</span></i><span style="font-weight: 400;">, however, was amazingly successful. Unfortunately, nearly a decade of working closely together was beginning to wear relationships thin, and medical issues caused a brief postponement of the tour.</span></p>
<p><span style="font-weight: 400;">In 1999, Motown was absorbed by Universal Music Group as part of a massive buyout of Motown&#8217;s parent firm, and in the shuffle, Boyz II Men ended up under the UMG label, with Universal Records. Critics of </span><i><span style="font-weight: 400;">Evolution</span></i><span style="font-weight: 400;"> had questioned if Boyz II Men had become dependent on Babyface&#8217;s production, so their first release under Universal was almost entirely self-written and -produced. </span><i><span style="font-weight: 400;">Nathan Michael Shawn Wanya</span></i><span style="font-weight: 400;">, released in 2000, also attempted to modernize the group&#8217;s sound.</span></p>
<p><span style="font-weight: 400;">Critics were appeased by the changes, reviewing it more favorably than they had </span><i><span style="font-weight: 400;">Evolution</span></i><span style="font-weight: 400;">. But </span><i><span style="font-weight: 400;">Nathan Michael Shawn Wanya</span></i><span style="font-weight: 400;"> was a commercial flop, selling only around 1.5 million copies. The album&#8217;s lack of sales helped motivate Boyz II Men to leave Universal. As a final venture with the label, they released </span><i><span style="font-weight: 400;">Legacy: The Greatest Hits Collection</span></i><span style="font-weight: 400;">, in 2001, more than two decades after the group first signed with Motown under Michael Bivins.</span></p>
<h3><span style="font-weight: 400;">Boyz II Men in Japan</span></h3>
<p><span style="font-weight: 400;">In 2002, Boyz II Men signed a new deal with Arista Records. They were set on recapturing some of the fame that had supported them in the 90s, and so went into the studio with that goal. They reunited with Babyface for &#8220;The Color of Love,&#8221; and worked with veteran music video director Little X to produce the video. </span><i><span style="font-weight: 400;">Full Circle</span></i><span style="font-weight: 400;">, the album that carried &#8220;The Color of Love,&#8221; didn&#8217;t do any better in stores than </span><i><span style="font-weight: 400;">Nathan Michael Shawn Wanya</span></i><span style="font-weight: 400;"> had.</span></p>
<p><span style="font-weight: 400;">After the release of </span><i><span style="font-weight: 400;">Full Circle</span></i><span style="font-weight: 400;">, Michael McCary retired from the group, after a prolonged struggle with scoliosis. This led to Arista suspending their contract with the rest of the group, and the three remaining members took a collective hiatus from the music industry.</span></p>
<figure id="attachment_28547" aria-describedby="caption-attachment-28547" style="width: 300px" class="wp-caption alignright"><img decoding="async" class="size-medium wp-image-28547" src="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-japan-300x240.jpg" alt="Boyz II Men were one of the earlier American bands to start releasing content for a Japanese fanbase." width="300" height="240" srcset="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-japan-300x240.jpg 300w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-japan-446x357.jpg 446w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-japan-604x483.jpg 604w, https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-japan.jpg 660w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-28547" class="wp-caption-text">Boyz II Men were one of the earlier American bands to start releasing content for a Japanese fanbase.</figcaption></figure>
<p><span style="font-weight: 400;">A year later, Boyz II Men created another new label, the MSM Music Group, and this time worked with Koch Records to distribute </span><i><span style="font-weight: 400;">Throwback, Vol. 1</span></i><span style="font-weight: 400;">. The album, a collection of R&amp;B and soul covers, sold around a quarter of a million copies with little promotion outside the group&#8217;s supporting tour. In 2005, they worked with Anderson Cameau to create Apocalypse 2000, a music project dedicated to raising money for Haitian relief efforts.</span></p>
<p><span style="font-weight: 400;">While touring to promote </span><i><span style="font-weight: 400;">Throwback, Vol. 1</span></i><span style="font-weight: 400;">, Boyz II Men found a new fanbase in Japanese audiences, leading them to release </span><i><span style="font-weight: 400;">The Remedy</span></i><span style="font-weight: 400;">. Their seventh studio album, </span><i><span style="font-weight: 400;">The Remedy</span></i><span style="font-weight: 400;"> was released only in Japan when it came out in 2006, but a year later they made it available through their website.</span></p>
<h3><span style="font-weight: 400;">The Boyz Return to Motown</span></h3>
<p><span style="font-weight: 400;">In 2007, Boyz II Men returned to Universal Records to release </span><i><span style="font-weight: 400;">Motown: A Journey Through Hitsville USA</span></i><span style="font-weight: 400;"> through Universal&#8217;s Decca Records imprint. The album was a collection of covers of various tracks from the Motown Records catalog, and was produced by Randy Jackson. </span><i><span style="font-weight: 400;">Motown</span></i><span style="font-weight: 400;"> included Marvin Gaye, Smokey Robinson, The Temptations, and Boyz II Men even contributed an a cappella version of their hit from more than two decades earlier, &#8220;End of the Road.&#8221;</span></p>
<p><i><span style="font-weight: 400;">Motown</span></i><span style="font-weight: 400;"> managed to reach #6 on </span><i><span style="font-weight: 400;">Billboard</span></i><span style="font-weight: 400;">&#8216;s R&amp;B charts, and received Gold certification in the UK. It earned two Grammy nominations, and critics were absolutely in love with the album. Riding the success of </span><i><span style="font-weight: 400;">Motown</span></i><span style="font-weight: 400;">, Boyz II Men released </span><i><span style="font-weight: 400;">Love</span></i><span style="font-weight: 400;"> in 2009. Another cover album, </span><i><span style="font-weight: 400;">Love</span></i><span style="font-weight: 400;"> featured popular love songs from outside the R&amp;B genre. Artists that were covered included the Goo Goo Dolls, The Beatles, Doris Day, and Chicago. </span></p>
<p><span style="font-weight: 400;">To celebrate the album, and twenty years as a group since the success of </span><i><span style="font-weight: 400;">Cooleyhighharmony</span></i><span style="font-weight: 400;">, Boyz II Men headlined the &#8220;Love Cruise&#8221; in 2001. A three-day cruise from Miami to the Bahamas, the Love Cruise featured an assortment of Boyz II Men-themed activities, including a Boyz II Men prom, a Boyz II Men poker tournament, and even Boyz II Men wedding vow renewals.</span></p>
<p><span style="font-weight: 400;">To further celebrate their twentieth anniversary, they released </span><i><span style="font-weight: 400;">Twenty</span></i><span style="font-weight: 400;">. The album had 13 original tracks and eight re-recorded classics. Notably, the album was released in Japan before it was released in America. Originally, the group had planned to tour as a quartet, welcoming back Michael McCary. Soon after the announcement, however, McCary backed out citing continued health problems.</span></p>
<h2><span style="font-weight: 400;">What are Boyz II Men Doing Now in 2018?</span></h2>
<p><span style="font-weight: 400;">Since </span><i><span style="font-weight: 400;">Twenty</span></i><span style="font-weight: 400;">, Boyz II Men seem to have stopped fighting against their past, accepting that the sound they&#8217;re best at isn&#8217;t going to sell millions anymore. The group toured through the summer of 2013 with New Kids on the Block and 98 Degrees, but since that fall, they&#8217;ve been performing regualrly at the Mirage Hotel and Casino in Las Vegas, Nevada.</span></p>
<p><span style="font-weight: 400;">In 2014, they released their eleventh studio album, </span><i><span style="font-weight: 400;">Collide</span></i><span style="font-weight: 400;">. The album was by far their least focused album, featuring songs that ranged from rock anthems to soulful ballads. The album is also notable for its use of autotune, which many critics took as superfluous, considering the group is known almost entirely for their singing voices.</span></p>
<figure id="attachment_28548" aria-describedby="caption-attachment-28548" style="width: 300px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="size-medium wp-image-28548" src="https://gazettereview.com/wp-content/uploads/2016/04/boyz-ii-men-grease-live-300x169.gif" alt="Boyz II Men's performance on Grease: Live brought new attention to the group" width="300" height="169" /><figcaption id="caption-attachment-28548" class="wp-caption-text">Boyz II Men&#8217;s performance on <em>Grease: Live</em> brought new attention to the group</figcaption></figure>
<p><span style="font-weight: 400;">The most recent big performance the group did together was for Fox&#8217;s </span><i><span style="font-weight: 400;">Grease: Live</span></i><span style="font-weight: 400;">, the live musical the station broadcast back in January. In the broadcast, Boyz II Men played the angels, singing &#8220;Beauty School Dropout&#8221; for the score.  Their rendition of the song (performed by Frankie Avalon in the original <em>Grease</em>) became a focal point for critics, who were in love with the group&#8217;s synchronized dance routine. And while the group continues to perform regularly at The Mirage, they have a tour planned for this fall which will go from California to New Jersey.</span></p>
<p><span style="font-weight: 400;">And as an individual, Wanya Morris has recently been making headlines as a contestant on the latest season of </span><i><span style="font-weight: 400;">Dancing With the Stars</span></i><span style="font-weight: 400;">. Paired with Lindsay Arnold, the couple most recently danced a samba to the &#8220;Circle of Life,&#8221; from </span><i><span style="font-weight: 400;">The Lion King</span></i><span style="font-weight: 400;"> soundtrack.</span></p>
<p>&nbsp;</p><p>The post <a rel="nofollow" href="https://gazettereview.com/2016/04/what-happened-to-boyz-ii-men-update/">What Happened to Boyz II Men &#8211; Where Are They Now</a> appeared first on <a rel="nofollow" href="https://gazettereview.com">Gazette Review</a>.</p>
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